LOS ANGELES (AP) -- It's same-old, same-old time in Hollywood. Predictably, summer blockbuster season is bursting with sequels, remakes, the odd adaptation of a video game and the latest Julia Roberts romantic comedy.
Yet somehow, the same-old, same-old has a fresher feel this year, offering a solid mix of the tried-and-true and some interesting newcomers.
Unlike last summer, which began with a bang but took a box-office dive come August, likely hits appear to be spread throughout the season right to Labor Day.
"There's big films straight through," said Bruce Snyder, head of distribution for 20th Century Fox, whose summer lineup includes "Planet of the Apes." "Trying to find a place to put a movie is impossible. This summer is loaded."
Actor Tim Roth (top center) portrays Thade, the militaristic leader of the apes who battle against rebellious humans in a scene from the 20th Century Fox remake of "Planet of the Apes." The film, scheduled for release this summer, promises to be a dramatically different treatment from the original. (AP Photo)
And though studios faced long-term trouble with potential dual strikes by writers and actors unions (the writers union has since tentatively accepted a contract), the industry's short-term health looks great.
"This will be the biggest summer in history, no doubt," said Joe Roth, former Disney studio chief who recently formed Revolution Studios and is directing Roberts' romance "America's Sweethearts." "I can identify at least 10 movies off the top of my head that will gross over $100 million."
Among those, "Pearl Harbor," which blows into theaters over Memorial Day weekend. Directed by Michael Bay and produced by Jerry Bruckheimer -- whose explosive collaborations include "Armageddon" and "The Rock" -- "Pearl Harbor" could well be the war spectacle to end all war spectacles.
"It's an enormously exciting drama," Bruckheimer said. "I think it captures the chaos, the pathos, the heroism experienced by the men and women who lived through it."
The movie traces the romance and friendship involving two pilots (Ben Affleck and Josh Hartnett) and a Navy nurse (Kate Beckinsale). After fighting with an American squadron in the Battle of Britain, Affleck's character arrives in Honolulu the day before the attack on Pearl Harbor, where Hartnett and Beckinsale's characters are stationed.
Other big films include "A.I. Artificial Intelligence," Steven Spielberg's return to science fiction; the World War II romance "Captain Corelli's Mandolin," with Nicolas Cage; Disney's animated saga "Atlantis: The Lost Empire," featuring the voice of Michael J. Fox; Mariah Carey's lead-actress debut in "All That Glitters"; a new version of "Rollerball"; the computer-animated fable "Shrek," with the voices of Mike Myers, Cameron Diaz and Eddie Murphy; John Singleton's inner-city drama "Baby Boy"; the video-game adaptations "Tomb Raider," with Angelina Jolie and "Final Fantasy: The Spirits Within," the first full-length film using semi-realistic human characters created by computer; and Ivan ("Ghostbusters") Reitman's "Evolution," a space-invaders comedy starring David Duchovny and Julianne Moore.
"Evolution" revolves around alien spores that land in Arizona on a meteor and quickly evolve into primates that threaten to conquer Earth. Duchovny plays a junior-college biology professor who leads the fight against the invaders, though he said it's a far cry from his droll, alien-obsessed character on "The X-Files."
"Like that 'Ghostbusters' vein, even though we are the experts, we're still kind of goofy. We're dimwitted at times and brilliant at other times. But brilliant in a dimwitted way," Duchovny said.
Two films combining live action and animation offer intriguing comic premises. "Cats & Dogs" features Jeff Goldblum and the voices of Alec Baldwin and Susan Sarandon in a war of household pets created by computer animation. The Farrelly brothers' "Osmosis Jones" stars Bill Murray as a man whose body is host for an animated battle between a white blood cell (the voice of Chris Rock) and a lethal virus (the voice of Laurence Fishburne).
Sequelitis -- the Hollywood disease that resulted in "Babe: Pig in the City," "Look Who's Talking Too" and way too many "Police Academy" movies -- seems less acute than in some years. Studios appear to have chosen follow-ups for film franchises that still feel reasonably fresh and appealing.
"I wouldn't have done this sequel if I didn't think we could make a bigger and better movie," said Stephen Sommers, writer-director of the 1999 hit "The Mummy" and its sequel, "The Mummy Returns," which was the season's first major release. "On sequels, audiences can almost smell when you're trying to be cheap about it or trying just to do a knockoff of the first one."
Brendan Fraser, Rachel Weisz and other key cast members return for the sequel, set eight years after the first movie. Professional wrestler The Rock co-stars as a new villain, the Scorpion King, who battles the resurrected mummy Imhotep.
Other big sequels include "Jurassic Park III," minus Spielberg in the director's chair but with Sam Neill reprising his role from the original film; Eddie Murphy returning in "Doctor Dolittle 2"; a Wayans brothers reunion on the horror spoof "Scary Movie 2"; another serving of gross-out comedy with "American Pie 2"; and Jackie Chan and Chris Tucker teaming up again for "Rush Hour 2."
"Jurassic Park III" director Joe Johnston had the unenviable task of following Spielberg's two blockbuster dinosaur flicks. But the project had full support from Spielberg, who is executive producer on the new sequel and hand-picked Johnston to direct.
"No one can come along and make a Steven Spielberg movie except Steven Spielberg," said Johnston, whose directing credits include "Jumanji" and "October Sky." "He didn't hire me to make a Steven Spielberg movie. He hired me to make my own."
This time out, Neill's paleontologist ends up stranded on that second dinosaur island introduced in "The Lost World: Jurassic Park." Laura Dern also returns, and the cast includes William H. Macy, Tea Leoni and a host of new dinosaur creations.
"I think you do have to sort of ratchet up the intensity of these films as you get into sequel after sequel. You have to keep offering the audience more," Johnston said.
Advances in makeup and special effects -- plus the distinct visual style of director Tim Burton -- guarantee a wildly different take on "Planet of the Apes" than the 1968 adaptation.
Unlike the original movie, which stranded human astronauts on our own planet in a future ruled by apes, Burton's movie begins with the same premise as Pierre Boulle's novel -- that the space travelers have landed on another world.
The cast includes Mark Wahlberg, Tim Roth, Helena Bonham Carter, Michael Clarke Duncan and Kris Kristofferson.
"Rollerball" stars Chris Klein, Rebecca Romijn-Stamos and LL Cool J as teammates in a brutal skating and motorcycle sport played in a fictionalized central Asian country that was once part of the Soviet Union.
"This movie really does question the commercialization of sports," Klein said. "But it also questions the integrity of viewers watching the sport. With violence, are we just giving them what they want?"
While the original movie was perceived as an indictment of athletic violence, the new "Rollerball" is more a statement about business forces that "figure they'll up their take if they get some blood on the track every week," said director John McTiernan ("Die Hard"). "The movie is a story about economic criminals."
As for video-game adaptations, who isn't interested in seeing Jolie take on adventurer Lara Croft's persona in "Tomb Raider"?
"I honestly didn't accept me in that persona at first," Jolie said. "I was one of those people who rolled my eyes every time I saw a picture of her and was irritated at the fascination over her."
For "America's Sweethearts," Roberts offers a reversal of the movie star role she played in "Notting Hill." This time she's seen as a lowly personal assistant to a top celebrity (Catherine Zeta-Jones). The film co-stars Billy Crystal, who co-wrote the script, and John Cusack.
Audiences seem to like Roberts in almost any part these days, so director Roth is not worried about whether moviegoers will accept the twist on her superstar status.
"I think they will, when you have someone as glamorous as Catherine Zeta-Jones playing the movie star," Roth said. "And Julia's a great actress. She gets to play the one normal person in this turned-around, crazy world of entertainment."
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