LITTLE FALLS — Artist Charles Kapsner was understandably at least slightly nervous as the canvas bearing the work that has absorbed more than of the last year of his life was lifted into the air.
Steadied by hand and with the aid of ropes, the painting depicting the history of the U.S. Army settled into place Friday morning inside the committal building at the grounds of the Minnesota State Veterans Cemetery near Camp Ripley.
Kapsner said he hopes the paintings will provide a greater appreciation for the past and entice people to look into their own family histories.
“The main purpose of this is to pay a tribute to the men and women of the service, what they have done and what they continue to do to preserve our freedom and democracy,” Kapsner said. In addition to that, Kapsner said he hopes the paintings also create a sense of what the nation’s whole history is about. “That’s the biggest thing I’d like people to contemplate.”
When the project is completed, years from now, there will be five paintings in the hall representing the history of the Army, Navy, Marines, Air Force, Coast Guard/Merchant Marine. Sketches of all the paintings line a hall in the building.
But Friday was focused on getting the first canvas in place. The committal hall was recently repainted in a red to better showcase the
paintings. A cherrywood frame, fabricated by Brainerd Hardwoods, encased the 8-foot-by-10-foot canvas. All told, the art work weighed an estimated 150-160 pounds.
For Kapsner it’s strange walking into his studio without the painting. He finished the work three weeks ago. Soon he’ll turn his attention to his next painting of the Navy.
The Minnesota State Veterans Cemetery Memorial Association commissioned Kapsner of Little Falls to design and create the five oil paintings. Live models and authentic uniforms from the Continental Army of the nation’s birth to its great wars are helping to tell the story of veterans who sacrificed to support freedom and democracy.
The project, funded by tax-deductible donations, is expected to cost $495,000 and take four or five years. Kapsner considers each painting to be an allegorical piece, telling a story and using those symbolic figures to examine greater truths. Kapsner, who conducted extensive research for the project, has been working on the canvas in a studio created in a maintenance building at the cemetery. Friday Kapsner said with the experience and lessons learned with the first painting, he expects work on the others to be completed more quickly.
Dave Swantek, cemetery director, has been instrumental in support of the effort. Friday Swantek said when the project first began they never expected to be as involved in the process from being there as canvas was stretched to hanging the completed piece.
“It’s incredible,” Swantek said as he looked at the painting. Life-size images of soldiers appear so life-like, they are nearly three dimensional. Swantek said it’s been an education both in American history and in how an oil painting is created from start to finish.
RENEE RICHARDSON may be reached at renee.richardson@brainerddispatch.com or 855-5852.


Comments (7)
Add comment$495,000
That comes to $99,000 per painting! And this money couldn't have been better used? While it may be a nice painting, it's not a really good painting.
Pdnet the art critic, Since
Pdnet the art critic,
Since when have you been the judge of art as being "good"? I know, it is a bummer that the pieces don't have an object that is visible if you look at it a certain way, but . .. . . . . . . .
hey dumbguy
Since you know squat about me, your posting is just an example of foolisness. I was trying to be kind, but in essence, the painting looks like an oversized paint-by-number set. While I understand he paints in the vanitas art style, except for those in the front, the rest of the figures are hazy and bland. His whole painting is disjointed in a style that he has done better at.
If it's for the Vets
If it's for the Vets, and to honor their history, then as the daughter of a decorated WWII vet I flinched at one figure and know it will hurt the vets: in the video when we get to lower left-hand corner is a figure not in uniform looking lost in front of a spilled bottle of, apparently, alcohol. While this may represent a truth for some, is this the place to 'honor' it--high over our heads? It seems out of character with this particular project, which I otherwise applaud. It does not honor our veterans. The paintings are huge, public, have a different purpose. It doesn't fit. That figure says something else entirely. It's going to hurt vets and their families. It did me. This lower-left figure's statement belongs in another kind of display: at eye level, continuous, with healing possibilities and biographies--not high overhead--a mistake to put it in this context, in my opinion.
kjc . . .
I'm not going to tell you how to react to a painting nor will I assume how other vets will feel about it. Having said that, I have a different reaction to that part of the painting. My first, and remaining reaction was that the artist was reminding us of how poorly our Vietnam veterans were treated upon their return home. Many could not get over what they went through over seas and when they returned, their country- at least a visible portion of it- called them "baby killers" etc. Their grand fathers, fathers and uncles returned home from WWI and WWII and were called heroes. They were given ticker tape parades. The country celebrated them. They were called "The Greatest Generation." Vietnam vets came home to people who treated them like the enemy.
What most people in America understand as PTSD now, was only beginning to be understood in the 70's by professionals. It wasn't well known, as it is now, that soldiers can and will suffer the disorder. Some vets who thought they had no where else to turn, turned to the bottle and, in turn, poverty and alcoholism.
I'm not going to attempt to interpret the artist or his work- I'm no scholar, but what I took away from that corner of the painting was to not forget the poor treatment of our vets in the past and to never let it happen again.
One other note: I noticed the skull on top of a pair of combat boots. I thought that was a nice ode to those who died in battle- "with their boots on."
Thank you
2nd - Your comment very helpful - I didn't think of that. Will take it on board and look again.
The Painting
Charles is a great artist and if you do not see the painting in person, you will not appreciate the work. You have no idea how much time he spends doing this type of work. I wish I had his talent.